KWAM 1: Eccentricity and the Big Man Complex

KWAM 1: Eccentricity and the Big Man Complex

The Thin Line Between Life and Death

The idea of death is often met with fear, but for many, it's a reality that looms large. Last Tuesday, Nigeria’s music world was on the brink of losing a legendary figure—Wasiu Ayinde, known as KWAM 1. As a Muslim, he would have been buried on the same day or early Wednesday. However, his life was nearly cut short due to a minor altercation with an airline official over allegations of carrying liquor on board. This incident highlights the fragile boundary between life and death, a line that can be crossed in the blink of an eye.

A video capturing KWAM 1 narrowly avoiding the wing of a taxiing ValueJet aircraft at Nnamdi Azikiwe International Airport left everyone in shock. His usual haughty demeanor had led to an unnecessary confrontation with airline staff over a clear violation of protocol. The question arises: was this a case of eccentricity, arrogance, a suicidal tendency, or simply intoxication?

Eccentricity in Music and Art

Eccentricity is not uncommon among musicians and artists. From Michael Jackson to David Bowie, from Fela Anikulapo-Kuti to Wole Soyinka, these figures are known for their unconventional behaviors and unique styles. Their eccentricities often serve as tools to shape their artistic identities and influence cultural landscapes.

Michael Jackson, for instance, lived a bizarre life marked by unusual public persona, dressing, and dancing styles. His deliberate cultivation of a mysterious and flamboyant image made him a standout figure in the music industry.

Similarly, Gwen Guthrey shocked the world with her controversial track "Ain’t Nothin’ Goin’ on But the Rent" in 1986. Her bold lyrics challenged societal norms and brought attention to issues of finance and relationships. Peter Tosh, a member of the Wailers, also used his platform to advocate for legalization of marijuana through his album "Legalize It."

Marvin Gaye, known for his complex interplay between artistic vision and personal struggles, faced tragic consequences. He was shot by his father after intervening in a family argument, ultimately leading to his death in 1984.

The Price of Eccentricity

While eccentricity can be a powerful tool, it often comes with risks. Many musicians and artists have faced downfall due to their unconventional lifestyles. For example, Ayinla Omowura, a Yoruba musical ancestor of KWAM 1, met an untimely end in a barroom brawl over a motorcycle. His story serves as a reminder of the dangers that come with such behavior.

Eccentricism manifests in various forms, from violent lifestyles to drug use, infantilization, and even blasphemy. The Beatles, for instance, sparked controversy with their album cover and their comments about religion, leading to nationwide riots in the Philippines. Their journey ended with the band's dissolution and the tragic murder of John Lennon.

Oscar Wilde, another eccentric figure, faced imprisonment for his homosexuality in the 19th century. His letter "De Profundis" reflected his deep anguish and shame, highlighting the societal challenges he faced.

The Nigerian Big Man Syndrome

In Nigeria, the concept of the "Big Man" plays a significant role in society. This syndrome is characterized by impunity and a sense of entitlement among the ruling class. It often involves leveraging connections and power to control access to resources and policy decisions.

KWAM 1, a product of the streets, has long been associated with the Nigerian president. His recent phone conversation with the president led to a six-month no-fly ban imposed by the Minister of Aviation. However, this penalty seems lenient given the severity of the offense.

Section 459A of the Nigerian Criminal Code outlines the legal consequences for obstructing aircraft movements. Yet, the Nigerian Big Manism culture often allows individuals to escape serious repercussions. In other countries, such behavior would likely result in a mental health evaluation and legal proceedings.

The Debate on Eccentricity

Society's acceptance of eccentric behavior among artists raises questions about whether it is a form of artistic expression or narcissism. While some argue that eccentricity fuels creativity, others believe it can lead to dangerous consequences.

KWAM 1's incident underscores the need for a balanced approach. While his eccentricity may have been a part of his identity, the actions that led to the near-tragedy highlight the importance of responsibility and awareness. The line between art and recklessness is thin, and it's crucial to navigate it with care.

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